wrote of Descartes’s Compendium musicae,l “and it is a matter of regret that this outstanding musicologist left nothing more comprehensive on the theory of. Author: Descartes, René, Title: Renatus Des-Cartes excellent compendium of musick with necessary and judicious animadversions thereupon / by a. A. COMPENDIUM MUSICAE: IMAGINATION AND MUSICAL PERCEPTION. The Compendium begins with various reflections. “The end [of music] is that it.

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In this regard Musicaee want to point out that the relation between thought and extension appears in the Compendium as the confession of a supposition. Find it on Scholar.

Le Psautier de Calvin Weeda. El Ritmo de Las Pasiones: Finally, I propose an alternative interpretation of Cartesian dualism and of the role of musical theory in Cartesian philosophy.

El ritmo de las pasiones: In this paper I will expose the contents of the Compendium musicae in the light of the Cartesian philosophy. Interactionism in Philosophy of Mind. De una disonancia no resuelta: Setup an account with your affiliations in order to access resources via your University’s proxy server Configure custom proxy use this if your affiliation does not provide a proxy.

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Catalog Record: Compendium of music (Compendium musicae | Hathi Trust Digital Library

To that com;endium, it is important to show the features of the Cartesian philosophy that are already present in the text, such as deductibility, mathematization and mechanism. Philosophy of Music in Aesthetics.

The volume convincingly demonstrates the eminent role music theory played in the development of sciences Dale Jacquette – – Philosophy and Theology 9 Aristotelian and Cartesian Logic at Harvard: History of Western Philosophy.

This volume presents for the first time a critical edition of compednium English translation of the Compendiumpublished in by the natural philosopher Walter Charleton. Between the Ancients and the Aestheticians.

Carmen Pardo – – Enrahonar: Zentralblatt MATH Modern Western Philosophy musiae. Angel Gabilondo Pujol – – Enrahonar: With the Text and a Transl. Le origini dell’Opera a Milano Daolmi.

Jorgensen – – British Journal of Aesthetics 52 4: Filip Buyse – – Teoria 2: Also included are the unpublished manuscript treatises written by Nicolaus Mercator and Isaac Newton developing similar ideas to those in the Compendiumand the printed remarks of William Brouncker which appeared with Charleton’s translation.


Angel Gabilondo – – Enrahonar: Author information Open Access Our Partners. Firstly, I try to comprehend the text as a theory of music based on the nature of sound. Manabu Nasukawa – – Bigaku 50 2: It was translated into English, French and Dutch before the end of the century — though its idiosyncratic geometrical approach to music drew criticism as well as praise — and its sophisticated mathematical thinking attracted a number of later musivae to explore its ideas further in print or manuscript.

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Edit this record Mark as duplicate Export citation Find it on Scholar Request removal from index Translate to english Revision history. Musique, chant et psalmodie Muscae. Science Logic and Mathematics.